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Being my father in law is really the only gift you need mug

Deok-soo runs the store with his wife, Being my father in law is really the only gift you need mug and life goes on until 1983, when major broadcast stations in South Korea run TV programs in which relatives separated during the Korean War are reunited. Deok-soo is contacted to be featured in one of these shows due to the hope of an elderly man from his hometown who claims to be his father. On TV, the two realize they are not father and son. Deok-soo’s family is distraught over the mistake, but soon afterward, the same program brings Deok-soo back to TV in the hope of finding his long-lost sister, Mak-soon. A Korean-American woman who was adopted as a child by an American family during the Korean War is featured. Deok-soo converses with her, and realizes she is indeed Mak-soon. An emotional reunion ensues and his sister comes to Korea. Deok-soo’s mother passes away soon after the reunion.

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With a 14 billion budget, Ode to My Father was the first Korean Being my father in law is really the only gift you need mug blockbuster that enforced a standard labor contract with the crew, which stated that they could not work for more than 12 hours a day, and were given overtime pay and a full day off once a week. The cultural, arts and entertainment fields in Korea have typically ignored labor laws and regulations, where deeply rooted tradition causes young staff members to be overworked yet rarely paid. After a long campaign by film professionals, the first Korean film to be made with a standard labor contract was Venus Talk in 2013, but Ode to My Father went further by enforcing the contract from the pre-production stage and ensuring that bonuses will be distributed equally to the entire crew. Director Yoon said production costs rose by 300 million because of the contract, but that people worked harder and more willingly, which ended up elevating the quality of the work.

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