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Georges Méliès also liked adapting the Faust legend into his films. In fact, the French filmmaker produced at least six variations of the German legend of the man who made a pact with the devil. Among his notable Faust films include Faust aux enfers (1903), known primary for its English title The Damnation of Faust, or Faust in Hell. It is the filmmaker’s third film adaptation of the Faust legend. In it, Méliès took inspiration from Hector Berlioz’s Faust opera, but it pays less attention to the story and more to the special effects that represent a tour of hell.
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The film takes advantage of stage machinery techniques and features special effects such as pyrotechnics, substitution splices, superimpositions on black backgrounds, and dissolves. Méliès then made a sequel to that film called Damnation du docteur Faust (1904), released in the U.S. as Faust and Marguerite. This time, the film was based on the opera by Charles Gounod. Méliès’ other devil-inspired films in this period include Les quat’cents farces du diable (1906), known in English as The Merry Frolics of Satan or The 400 Tricks of the Devil, a tale about an engineer who barters with the Devil for superhuman powers and is forced to face the consequences. Méliès would also make other horror-based short films that aren’t inspired by Faust, most notably the fantastical and unsettling Le papillon fantastique (1909), where a magician turns a butterfly woman into a spider beast.
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